The compressors were also used on Spears’s microphones, a Shure Beta 58A handheld and a Crown CM-311AE headset-mounted capsule. He useddbx 903 compressors for kick and snare drums. The sound was mixed by Front of house engineer Monty Lee Wilkes on a combination of Yamaha PM4000 and PM3000 consoles, an unusual choice for Spears’s shows. The sound equipment was provided by Showco who used the PRISM system, which adapted the show for each venue according to its height, width and the coverage required. On the contrary, she unveiled a more sophisticated image for “Don’t Let Me Be the Last to Know”, and followed it with raunchy performances for “…Baby One More Time” and “Oops!… I Did It Again”. The tone of the show variated from the beginning: for the performance of “Born to Make You Happy”, Spears sang in a set resembling a children’s bedroom, complete with large toys and a pillow fight routine. I’m going to have more dancers, a bigger stage, more pyro… just a lot bigger”. The proscenium stage was much more elaborate than the stage of her previous tour and included video screens, movable platforms and different props. It cost $2.2 million to build. It’ll be nice to change it up a little bit.” She also talked about her expectations for the tour, saying, “I can’t wait. Spears explained, “I’ve been singing the same material for so long now. Jamie King was chosen as tour director. Tim Miller and Kevin Antunes served as director of production and musical director, respectively. Mark Foffano was chosen as the lightning director. Spears described the tour as “like a Broadway show”. The setlist included material from her first studio album …Baby One More Time (1999) as well as seven songs from Oops!… I Did It Again. She later donated $1 from each ticket sold from her Inglewood, California show on Jto the union.įor the European Leg of the Tour, Spears originally was going joint with ‘N Sync following their No Strings Attached Tour, as a co-headlining tour. Clairol’s Herbal Essences was also added as a sponsor. Spears recorded a song for the latter called “I’ve Got the Urge to Herbal” to be used on their radio campaign, though she chose to not attend a photoshoot for the product when she decided to support an 86-day strike by the Screen Actors Guild (SAG). I’ve never experienced other fans in other places, and performing in front of them is going to be so exciting.” Before the tour began, Forbes reported that concert promoter SFX Entertainment guaranteed her a minimum of $200,000 per show. Tour sponsors from the 2000 leg of the …Baby One More Time Tour, Got Milk?, and Polaroid, remained. She commented, “I’m going to go to Europe, and just basically go everywhere for six months, I’ve never toured outside of the U.S. The tour marked the first time Spears toured Europe. On February 22, 2000, Spears announced a summer tour in support of her second studio album, Oops!… I Did It Again (2000). Reviewers praised the tour, adding that “ proved that many criticisms are off-base observations from people who have never actually attended shows”. Concert promoters SFX Entertainment guaranteed Spears a minimum of $200,000 per show before the tour began, and many of the shows sold out in one day. The Oops!… I Did It Again World Tour grossed $40,500,000 with 1,452,014 million in attendance and became the second highest-grossing tour of the year by a solo artist. The show was more elaborate than her previous tour and included pyrotechnics and other special effects. The Oops!… I Did It Again World Tour was Spears’ first world tour, reaching North America, Europe and Brazil.
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